SOME IMPENETRABLE RANT ABOUT MULTICULTURALISM AND MUSIC: Over the years I've been drawn to various musical movements -- the punk movement of the mid- to late-'70s, the intellectual cardigan and spectacle set of the Smiths and their ilk, and the pastiche of early rap and hip-hop as expressed by the lineage of Grandmaster Flash to NWA to De La Soul.

It meant a lot of looks for me: First it was skateboards and short hair. Then Billy Bibbitt long-hair-on-top with shaved sides. Then baggy trousers and hoodies. I did my best.

What's entertaining of late is how these moments have all come together, how a hip-hopper like Lupe Fiasco can come out with a song like "Kick, Push" (which I discovered through Camel reader Paul), how Kanye can proximately ape the nerded-out intellectualism of shoegazers like Morrisey and new wavers like Thompson Twins, how Eminem is nothing if not the son of the Sex Pistols, a bleached-out surf punk spittin' rhymes from inside an industrial wasteland and across a cultural chasm. All of a sudden LRG is making clothes that combine all three elements into a distinctive "streetstyle" look, not neutered nor crazy-quilted, but a single unified look that says creativity and rebellion and eco-organic insouciance. It's as if the "For Us By Us" of FUBU got hip and inclusive, pan-racial, pan-socioeconomic, as if the United Colors of Bennetton spontaneously generated all around us.

I was originally just gonna post about how much I love that "Push, Kick" song, and now here I am off on some kind of writerly bullshit. Whatever. Thanks, Paul! Good song, even if I'm not sure what the difference is between a kick and a push when skateboarding...